RAYMOND WEIL PARSIFAL WOMENS WATCH : RAYMOND WEIL PARSIFAL


Raymond weil parsifal womens watch : Elini watch band.



Raymond Weil Parsifal Womens Watch





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    raymond weil
  • RAYMOND WEIL GENEVE is a Swiss watchmaker, founded in 1976 in Geneva, Switzerland. It is one of the last independent brands in the Swiss luxury watch industry.

  • Raymond Weil is a rare promo CD released by the string quartet bond, for promoting a new model of a watch called "Othello" by Raymond Weil. This promo album was released in 2001.





    parsifal
  • Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail.

  • similar name: PARSIFAL Project EU

  • Parsifal is a 1982 German musical film directed by Hans-Jurgen Syberberg, based on the opera of the same name by Richard Wagner. It was shown out of competition at the 1982 Cannes Film Festival.





    watch
  • Look at or observe attentively, typically over a period of time

  • a period of time (4 or 2 hours) during which some of a ship's crew are on duty

  • look attentively; "watch a basketball game"

  • Keep under careful or protective observation

  • Secretly follow or spy on

  • a small portable timepiece











Parsifal in the North




Parsifal in the North





Parsifal in the North

HKD

Was alle Sucher interessiert:
Wo finde ich Gott? Wo finde ich Erlosung?

Auf der Suche nach den hoheren Machten treibt es den Pilger in den hochsten Norden und in den tiefsten Suden. Alle Emotionen werden ausgelotet, hei?e und kalte, Nahe und Distanz. Differenzierung, Einteilung, Analyse. Denken. Das wird metaphorisch mit „Norden“ ausgedruckt. Im Suden dagegen herrscht die Hitze und mit ihr leidenschaftliche Emotion. Was treibt mich in den Norden? Was in den Suden?
Es werden sich zwei gro?e Blocke bilden, aus denen die Menschheit besteht, aber das Augenmerk liegt auf Menschheit und nicht auf der Trennung in Ost und West oder Sud und Nord. Mit welchen Begriffen die Blocke belegt werden ist irrelevant, es wird immer eine Spiegelung der kosmischen Krafte sein, die „Yin und Yang“ genannt werden konnen oder ebenso als „elektromagnetisches Feld“ mit negativem oder positivem Vorzeichen. Ein Magnetfeld ordnet Materie. Das Unsichtbare bestimmt das Sichtbare. Es gibt die Richtung vor.
Unsichtbare Motivationskrafte aus dem Unbewussten wirken auf die Handlungen des Egos. Schicksal kommt aus dem tiefsten Inneren. Und dieses Innere wird als der unbewusste Teil des Menschen gesehen. Dem personlichen Unbewussten ist das kollektive Unbewusste weitere Vertiefung der Suche nach der Quelle, dem Schopfer.
Schicksalskrafte binden dich an Personen oder Situationen. Du kannst alles bedenken, doch sobald Amor dich verliebt macht, tanzt du nach der Melodie der Lustgottin. Freia, Venus, Aphrodite, zahlreich sind die Bezeichnungen fur die menschliche Erfahrung einer unwiderstehlichen Anziehungskraft. Diese Krafte ziehen dich in den „Suden“. Apollo zieht in den „Norden“.
Schicksalhafte Beziehungen werden von den Gottern gestiftet und das geschieht uber die Motivationskrafte. Um mir die energetischen Verhaltnisse in mir bewusst zu machen, habe ich mir die zehn wichtigsten Gottheiten zum Vorbild genommen, um zu erkennen, wann ich mich von welcher Energieform motiviert fuhle.
Zeus steht fur mich fur die typische Herrscherenergie. Hermes reprasentiert die Energie des Wandels, der Reisen und des Handels. Aphrodite die Kraft der Anziehung und des Eros. Und da ist der griechische Gott Ares, der ebenso als Raufbold bekannt ist, wie auch dafur, dass er kampferische Leidenschaft entfacht wie sein romisches Pendant: Der Kriegsgott Mars.
Zeus mag man fur eine Gottheit halten, die da drau?en irgendwo im Kosmos schwebt, doch bei der Bezeichnung als Motivationskraft A1 oder A2 usw. ist von meiner Seite deutlich intendiert, sie in sich selbst zu verstehen und schlie?lich in Aktion zu erkennen. Fur mich ist deutlich, dass es sich bei den „Gottern“ um gleichwertige Motivationskrafte im eigenen Inneren handelt.
Doch wer ist der Meister dieser Krafte, die das Ego als uberwaltigend und damit autonom erfahrt? Bist du der Meister? Oder hast du bereits alle Versuche aufgegeben, die Gotter in dir unter Kontrolle bringen zu wollen? Bist du kooperativ? Kennst du die Gotter und kommunizierst du mit ihnen uber Gebete oder Rituale?
Ich erachte es als wichtig und bedeutungsvoll, dies zu tun. 10 Gotter bestimmen dein Handeln und es kann in dir eine Bewusstheit daruber entstehen, wer diese sind und welche Gefuhle sie in dir hervorrufen. Diese Krafte sind unter anderem dafur verantwortlich, dass sich Blocke bilden, bei den Gottern beispielsweise die Gotter der Ober- und der Unterwelt. Doch erscheint es mir angebracht, alle Krafte einer einzigen Quelle entspringen zu lassen und diese liegt in dir.
Diese Sichtweise macht dich zum Schopfer deiner eigenen Welt, sie macht dich zum Q (Star-Trek – Gottheit, die mit sich selbst spielt… alle Spielkameraden sind ebenfalls Q). Q ist sich dieses Umstandes bewusst. Der menschliche Ego-Bewusstseinszustand dagegen ist sehr beschrankt, er hat vergessen, dass alle Menschen Bruder sind und sieht uberall Feinde. Als Kind fuhlte ich mich umgeben von Feinden. Ich glaubte, wenn ich erwachsen ware, konne ich endlich frei sein. Doch die dunklen Schicksalskrafte woben Netze, in denen ich mich verstrickte. Sie erschufen eine Umgebung, die ich als Gefangnis wahrnehmen musste.
Nach den dunklen Jahren aber dammerte ein neuer Morgen, die Nacht wurde zum Tag. Der Mond war lange Jahre mein Begleiter, jetzt ist es die Sonne. Sonne – Mond, Tag und Nacht, optimistisch oder pessimistisch, stets bilden sich Gegensatzpaare und schlie?lich werden sie mit dem abstrakten Begriff von Yin und Yang bezeichnet.
Ost und West sind in meinen Augen ebenfalls gleichwertige Krafte. Auch Ordnung und Chaos. Das eine wandelt sich zum anderen, der Wandel ist das entscheidende Element. Sobald sich das Bewusstsein auf den Wandel einlassen kann, geschieht das Wunder des inneren Friedens. Bist du zufrieden, wenn Yin herrscht oder wartest du sehnsuchtig auf Yang? Sehnsucht, Ungeduld, all die kindlichen Gefuhle des Drangens nach Befriedigung erzeugen Feindschaft und Konflikte. Wettbewerb und Verdrangung, Sieg und Niederlage lassen sich nur spie











Scene from the Opera "Parsifal" by Richard Wagner - Tenor Ernest Marie Hubert van Dyck as Parsifal and the Flower Maidens




Scene from the Opera "Parsifal" by Richard Wagner - Tenor Ernest Marie Hubert van Dyck as Parsifal and the Flower Maidens





I have always been interested in two imperial size cabinet cards in our collection by W. Hoffert of Berlin. It seemed to me that there were enough clues in the costumes and events to find the play/opera that was photographed. Recently when I returned some photographs to one of the boxes of theatrical photographs I took them out and searched for the events depicted. I LOVE GOOGLE! In a few minuets I had an answer to my questions. We have had these cards for at least 30 years and I never searched before.

The two cards are from a production of Parsifal by Richard Wagner. In the second card Parsifal is found with a dgroup of women in flower costumes. The opera is loosely based on the 13th century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail, by Wolfram von Eschenbach.

I hoped that I could find the name of the tenor in this production of Parsifal but I have not been able to do so. If any of you can give me a clue I would be grateful.

* Update: Evening* has identified the tenor as Ernest Marie Hubert van Dyck. Thanks!









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WATCH FULL TELEVISION EPISODES - TELEVISION EPISODES


Watch full television episodes - Watch hindi tv channels online - Calculator watchs.



Watch Full Television Episodes





watch full television episodes






    television episodes
  • (Television episode) An episode is a part of a dramatic work such as a serial television or radio program. An episode is a part of a sequence of a body of work, akin to a chapter of a book. The term sometimes applies to works based on other forms of mass media as well, as in Star Wars.





    watch
  • a period of time (4 or 2 hours) during which some of a ship's crew are on duty

  • a small portable timepiece

  • Look at or observe attentively, typically over a period of time

  • Keep under careful or protective observation

  • Secretly follow or spy on

  • look attentively; "watch a basketball game"





    full
  • Straight; directly

  • beat for the purpose of cleaning and thickening; "full the cloth"

  • Very

  • Entirely (used to emphasize an amount or quantity)

  • full moon: the time when the Moon is fully illuminated; "the moon is at the full"

  • containing as much or as many as is possible or normal; "a full glass"; "a sky full of stars"; "a full life"; "the auditorium was full to overflowing"











Brideshead Revisited Set in Castle Howard




Brideshead Revisited Set in Castle Howard





Brideshead Revisited is a 2008 British drama film directed by Julian Jarrold. The screenplay by Jeremy Brock and Andrew Davies is based on the 1945 novel of the same name by Evelyn Waugh, which previously was adapted in 1981 as an eleven-episode television serial.

PLOT
--------
though he aspires to be an artist, middle class Charles Ryder is studying history at the University of Oxford, where he befriends wealthy Lord Sebastian Flyte, a flamboyant homosexual and alcoholic. Sebastian's family, the noble Marchmains, strongly disapprove of both proclivities. When Sebastian takes him home to visit his nanny, Charles is enthralled by the grandeur of the Marchmain family estate, known as Brideshead, and he is entranced by its residents, including the devout Lady Marchmain and her other children, Sebastian's elder brother Bridey and his younger sisters Julia and Cordelia.

When Lord Marchmain invites Sebastian and Julia to visit him and his mistress Cara in Venice, Lady Marchmain encourages Charles to accompany them in the hope he can be a positive influence on her son. Increasingly interested in Julia, Charles surreptitiously kisses her in a dark alley, unaware Sebastian is watching from the opposite side of the canal. Jealous of his attention to his sibling, Sebastian ends their friendship. On their return to England, Lady Marchmain makes it clear Charles cannot marry her daughter since he professes to be an atheist.

Sebastian's allowance is rescinded by his mother, who is concerned about his increasing alcoholism. During a visit to Brideshead, Ryder gives Sebastian money, which he uses to purchase alcohol. When he arrives drunk and improperly dressed at a ball celebrating Julia's engagement to Canadian Rex Mottram, Lady Marchmain blames Charles and tells him he no longer is welcome at Brideshead.

Sebastian flees to Morocco where, at the request of the now terminally ill Lady Marchmain, Charles finds him hospitalised. His plan to bring him home is disrupted when the doctor warns him Sebastian is too ill to travel.

Years later, Charles - now married and a successful painter - reunites with Julia on an ocean liner en route to England from South America. They realize they are still in love and decide to leave their respective spouses and live together in Italy.

Charles returns to Brideshead and persuades Rex to step aside so he and Julia can be together. Rex agrees to the proposal in exchange for two of Charles' paintings, an arrangement that shocks and angers Julia, who feels like bartered goods. Without warning, a dying Lord Marchmain and Cara arrive at Brideshead so he can spend his final days in his former home. On his deathbed Lord Marchmain, hitherto an atheist, regains his faith and dies a devout Catholic. Deeply affected by her father's transformation, Julia decides she cannot relinquish her faith to marry Charles, and the two part.

Several years later, during World War II, Charles - now a disillusioned army captain - finds himself once again at Brideshead, which has been requisitioned by the army for a military base. A corporal tells him Julia is serving in the reserves and her eldest brother was killed during The Blitz. In the movie's final scene, Charles visits the family chapel, where he finds a single lit candle. He dips his hand in holy water and is about to snuff out the candle between his fingers, but he changes his mind and leaves the flame burning.

PRODUCTION
---------------------
Paul Bettany, Jude Law, and Jennifer Connelly were signed for the lead roles by original director David Yates, but when he left the project to helm Harry Potter and the Order of the Phoenix instead, the roles were recast by replacement Julian Jarrold.[2]

Just as it did for the earlier television adaptation of Waugh's novel, Castle Howard in North Yorkshire serves as the setting for Brideshead. In The World of Brideshead, a bonus feature on the DVD release of the film, Simon Howard reveals his family was eager to welcome film crews to the estate once again. Given it became a major tourist attraction after the television serial aired, they hoped the feature film would renew interest in the property. Filming took place at Castle Howard during the summer of 2007, and many extras were employed from the local population in and around York.

Sebastian's sexual orientation and the full nature of his relationship with Charles were ambiguous in Waugh's novel and the television serial. In The World of Brideshead, screenwriters Jeremy Brock and Andrew Davies reveal they intentionally changed things since they felt contemporary audiences were far less likely to be shocked by such revelations than Waugh's 1945 readers or early 1980s television viewers may have been.?

The ending of the film was also altered from that of the novel. In the film, Charles leaves the family chapel at Brideshead seemingly unchanged in his atheist/agnostic leanings, although he decides not to snuff out the candle that is burning. The novel ends with











McDonald's Promotional Soft Toy - Bill and Ben: Blue Squirrel




McDonald's Promotional Soft Toy - Bill and Ben: Blue Squirrel





The Flower Pot Men is a British children's programme, produced by BBC television, first transmitted in 1952 and repeated regularly for more than twenty years, which was produced in a new version in 2000.

Original series:

Originally, the programme was part of a BBC children's television series titled Watch with Mother, with a different programme each weekday, and all involving string puppets. The Flower Pot Men was the story of two little men made of flower pots who lived at the bottom of an English suburban garden. The characters were devised by Freda Lingstrom and Maria Bird. Three later stories were written by Hilda Brabban. The puppeteers were Audrey Atterbury and Molly Gibson. The voices and other noises were produced by Peter Hawkins, Gladys Whitred and Julia Williams.

The plot changed little in each episode. The programme always took place in a garden, behind a potting shed. The third character was Little Weed, of indeterminate species, somewhat resembling a sunflower or dandelion with a smiling face, growing between two large flowerpots. The three were also sometimes visited by a tortoise called Slowcoach. While the ;man who worked in the garden' was away having his dinner the two Flower Pot Men, Bill and Ben, emerged from the two flowerpots. After a minor adventure a minor mishap occurs; someone is guilty. 'Which of those two flower pot men, was it Bill or was it Ben?' the narrator trills, in a quavering soprano; the villain confesses; the gardener's footsteps are heard coming up the garden path; the Flower Pot Men vanish into their pots and the closing credits roll. The final punch-line was, 'and I think the little house knew something about it! Don't you?'

The Flower Pot Men spoke their own, highly inflected version of English, called Oddle Poddle. However, the popular notion that they ever said 'Flobbalob' or 'Flobbadob' is an urban myth; if one listened carefully to their banter, one could hear words like 'Loblob' ('lovely') and 'Flobberpop' ('flowerpot'), either of which could have given rise to the urban myth. At the end of each adventure, they would say bye-bye to each other and to the Little Weed - 'Babap ickle Weed' - to which the Weed would inevitably reply with tremulous cadence 'Weeeeeeeeeeed'. This language, like that of the Teletubbies in the 1990s, was invented by Peter Hawkins and was criticised for hindering children from learning proper English.

2001 series:

On 2 January 2001, a second series named Bill and Ben began on CBeebies, this time involving stop-motion animation and full colour, and made by Cosgrove Hall Films with a team of ten animators. Ben was narrated by voice actor Jimmy Hibbert.

Many additions were implemented:

A mean rosebush with buds in the neighbour's garden named Thistle.
A magpie named Pry, obsessed by shiny treasures, often just bottle caps.
A hedgehog named Boo.
A worm named Whoops.
A talking tomato named Ketchup.
A Tortoise Named Slow Coach.
Weed is no longer a weed, but an enormous sunflower. Rather than whining, 'Weed!', she spoke proper English. She played an 'earth mother' role to Bill and Ben. She often assisted them.









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